Coverage & context

CONTEXT

• Phileas · Nov 2024 UBERMORGEN, by Anna Hugo

  The fullest written account of the work to date: the curatorial invitation, the Carlo Giuliani / Genoa 2001 premise, the forest-and-silver-ceramic installation, the spy-thriller website component, and UBERMORGEN's history.

• Busan Biennale 2024 · official listing Artist page, Busan Biennale 2024

  17 Aug – 20 Oct 2024, Choryang House.

• BMEIA / Austrian Embassy Seoul Official event notice

  Consistent with the Pro Helvetia / BMKÖS support credited elsewhere on this site.

• Artnet News · Oct 19, 2024 The 2024 Busan Biennale Is Eccentric, Vexing, and Full of Thrills

  By Andrew Russeth. General biennial review; establishes the 'pirate enlightenment' curatorial theme (after David Graeber) that this work's piracy framing resonates with.

• ArtReview Asia · Nov 1, 2024 Busan Biennale 2024 Review: Artistic Privilege Is Swept Aside

  By Mark Rappolt. Review of 'Seeing in the Dark,' the biennial's curatorial theme of solidarity and the pirate-enlightenment framing.

• e-flux Criticism Busan Biennale 2024: Seeing in the Dark

  By Harry Burke. Critical review of the biennial as a whole.

• Reference biography

  UBERMORGEN: founded 1995 in Vienna, today a two-generational, multidiverse, female-led artist team (lizvlx, Luzius Bernhard, Billie Bernhard, and Lola Bernhard), working in the Net.Art lineage, with Vote Auction (2000) among its best-known works. Full bio and Wikipedia entry on the UBERMORGEN page.

• 38C3 · Chaos Communication Congress, Dec 2024 Klarheit als Waffe, talk

  Recent public talk activity tied to the team. See also the speaker page.

For press materials, contact press@phileas.art.